THE ROCKEFELLER FOUNDATION’S WAR ON CONSCIOUSNESS THROUGH THE IMPOSITION OF A=44OHZ STANDARD TUNING
by Leonard G. Horowitz
This article details events in musical history that are central to understanding and treating modern psychopathology, social aggression, political corruption, genetic dysfunction, and cross-cultural degeneration of traditional values risking life on earth. This history concerns A=440Hz “standard tuning,” and the Rockefeller Foundation’s military commercialization of music. The monopolization of the music industry features this imposed frequency that is “herding” populations into greater aggression, psychosocial agitation, and emotional distress predisposing people to physical illnesses and financial impositions profiting the agents, agencies, and companies engaged in the monopoly. Alternatively, the most natural, instinctively attractive, A=444Hz (C5=528Hz) frequency that is most vividly displayed botanically has been suppressed. That is, the “good vibrations” that the plant kingdom obviously broadcasts in its greenish-yellow display, remedial to emotional distress, social aggression, and more, has been musically censored. Thus, a musical revolution is needed to advance world health and peace, and has already begun with musicians retuning their instruments to perform optimally, impact audiences beneficially, and restore integrity to the performing arts and sciences. Music makers are thus urged to communicate and debate these facts, condemn the militarization of music that has been secretly administered, and retune instruments and voices to frequencies most sustaining and healing.
Contrary to popular opinion, the most powerful “hard” science influencing society, politics, and economics is behavioral science. This generally neglected fact enables advertising agencies, social engineers, marketing firms, and the persuasive media, to direct people, like cattle, most profitably.
A flock of sheep, for example, according to the Merck Veterinary Manual, responds synchronously to stimuli, such as approaching dogs or humans, due to a special set of nerve cells that fire electrically causing the release of stress hormones associated with the flight response and herd behavior.(1) Malcolm Gladwell’s, The Tipping Point: How Little Things Can Make a Big Difference, cites social examples of the small levels or percentages of a total population required to act, “at which the momentum for change becomes unstoppable” for the entire social network.(2)
There have been many unexplained “mass hysteria” episodes recorded besides the War of the Worlds fright that was broadcast by CBS Radio and narrated by Orson Welles, on October 30, 1938.(3) Bartholomew called a related public health crisis, “Occupational Mass Psychogenic Illness” in Transcultural Psychiatry.(4) Wessely added the warning that this bizarre herd behavior impacting health and well-being reflects poorly on our mass mindset inspired by the terroristic media. He wrote:
“[I]t is easy to lose sight of the dynamic, protean [varied] nature of mass sociogenic illness and its historical and transcultural manifestations, which mirror popular social and cultural preoccupations that define each era and reflect unique social beliefs about the nature of the world.”(5)
Assuming the field of physics, including biophysics, is valid, and the universe, including life, is primordially constructed energetically-- mathematically/harmonically/musically--energy (including bioenergy or spirituality as a medium of consciousness) impacts us physically very powerfully, and is mediated vibrationally, really hydrosonically, through sounds’ effects on water.(6)
There are a lot of people who consider modern music annoying. Many become emotionally disturbed listening to certain types of music. What few people realize, regardless of the type of music played in the Western World, the standard Anglo-American tuning for instruments and voices was instituted at the same time, by the same agents and agencies, advancing acoustic war studies for inducing “mass hysteria.”(8)
Analyzing the antecedents of current geopolitics and economics, this dirty fact of musical history may be foundational to the status-quo, and instrumental to contemporary sociocultural crises, including modern pandemic psychopathology.
Throughout history there have been persons of wealth and power engaged in war-making, profiteering, and various methods of population control. In 1770, for instance, Mayer Amschel Bauer (a.k.a., Rothschild) developed plans for the creation of the Illuminati, advancing the mission of global domination through a network of central banks that his family and their silent partners controlled.(9, 10) Many reputable authors track today’s degenerative socioeconomic trends, and aboriginal genocides, to the Illuminati’s powerful influence administered through private organizations controlling multi-national corporations and governments (i.e., secret societies and governing councils, such as the Council on Foreign Relations).(6-15)
“As a result of this influence,” wrote Thomas D. Schauf, in a controversial review article and commentary urging the termination of the un-American Federal Reserve Bank, and the offshore bankers’ control over the U.S. Treasury, “the arc of Western Civilization has gone from ‘ascent’—belief in God—focused on the higher centers of love, joy, purity and selflessness, to descent . . . focused on the lower centers of consciousness like those of power, wealth and physical gratification. The apex was called the ‘Enlightenment,’ when the ‘Illuminated ones’—a Luciferian term meaning ‘keepers of the light’—took over for God. Typical of Satan, decline into moral darkness is represented as light.”(11)
Light and sound is generated and measured mathematically, according to frequencies. It stands to reason then, following Schauf’s empirically evidenced thesis, we are engaged in a “conspiracy reality” in which ultimate power and control is waged bioenergetically (i.e., biospiritually), through frequency modulations or electromagnetic manipulations affecting “consciousness” and impacting biology, physiology, and human behavior.
The Rockefeller Foundation and Military Music
In 1913, the Rothschilds set up their third and current central bank in America, the Federal Reserve Bank, with the help of their agents JP Morgan and JD Rockefeller, whose investments in American industry had been Rothschild-financed since 1865. (9, 11)
World Wars I and II evidence the banking cartel’s profitable depopulation politics and policies. For instance, in 1914, at the beginning of World War I, the German Rothschild bank loaned money to the German government, the British Rothschild bank loaned money to Britain, and the French Rothschild bank loaned money to the French government. War propaganda served the Rothschild’s geopolitical and financial agendas, and was provided by the three main European news agencies, Wolff in Germany, Reuters in England, and Havas in France, each financed by Rothschild banks. (9, 11)
Between World Wars I and II, accelerating during the 1930s, scientific studies in musical frequencies best suited for war-making were funded by the Rothschild-Rockefeller alliance, represented by the Rockefeller Foundation and U.S. Navy.(8-11)
A major objective of this war, and profitable population control, research was to determine the musical factors capable of producing psychopathology, emotional distress, and “mass hysteria.”(8)
Academically directed by grants provided by the Rockefeller Foundation, in concert with the US Navy and National Defense Research Council according to the foundation’s archives, acoustic energy researchers, including Harold Burris-Meyer, an audio engineer and drama instructor at New Jersey’s Stevens Institute of Technology, were commissioned.(8)
Burris-Meyer is best known for providing consulting services to the Muzak Corporation, “which used his expertise to optimize sound installations in factories so that emotional motivation of workers achieved through music would not be adversely effected by factory noise . . ,” wrote James Tobias, a Professor of English at the Univ. of Calif.(8)
Tobias reviewed Rockefeller Foundation (RF) archives, and documented investigations leading to psychological warfare applications of acoustic vibrations, ultimately advanced militarily and commercially.(8)
Burris-Meyer, according to Tobias, contributed to the Department of Defense during World War II, “including building speaker arrays deployed on warplanes such that enemy combatants could be addressed from the air” to produce psycho-emotional affects leading to “mass hysteria.”(8)
Additionally, the Princeton Radio Project played a role in this research. This occurred precisely at the time the atomic bomb Manhattan Project was beginning at Princeton involving Albert Einstein at the Institute for Advanced Study (IAS).(12)
Poisonous Medicine and the Rockefeller Foundation’s Investments in Sickening “Music”
Linking this “conspiracy reality” to the development of music for “mass hysteria,” and aversive public health impacts, the IAS “think tank” was formed from the “vision of founding Director Abraham Flexner,” according to the IAS website.(13) The infamous Abraham Flexner, educated in Germany and America, on staff at the Carnegie Foundation, and funded by the Rockefeller Foundation, sourced the American medical reformation following US Congressional acceptance of his “Flexner Report.”(14) This infamous treatise exclusively benefited the Anglo-American IG Farben-Rockefeller petrochemical-pharmaceutical alliance that vilified every form of natural healing to monopolize healthcare. Based on Flexner’s report, advancing the Rockefeller’s agenda, the US Government exclusively imposed medicine’s reliance on deadly, not curative, drugs as is ongoing today.
The Rockefeller Foundation’s Assistant Director for the Humanities at the time Flexner compiled his report was John Marshall, who along with the authors of Composing for the Films (Oxford University Press, 1947) Hanns Eisler and Theodor Adorno, were featured performers in the musical projects serving military and commercial interests, juxtaposed with artistic and philanthropic objectives.(8)
As this research and development of the broadcasting industry advanced to impact “herd behavior” and public health, it is clear that any malady generated musically/vibrationally (i.e., bioenergetically), would increase investors’ profitability.
Although Eisler or Adorno appear to be innocent of wrongdoing, according to Tobias, both were unfavorably treated by project officials. Eisler opposed the militarization of music used for cultural manipulation, and was eventually deported following years of harassment by the Federal Bureau of Investigation (FBI). This publicity generated embarrassment for the Rockefeller Foundation. (8)
According to Tobias, Burris-Meyer became convinced that “audio control of human emotions was possible for a large enough portion of an audience to provide effective crowd control – a line of research,” that John Marshall, “ultimately found irrelevant for understanding the artistic or cultural values of music. . . . ” but obviously fulfilled a military objective.(8)
This best explains why this activity is linked in time, subject matter, Foundation funding, and the Rothschild-Rockefeller increasing war investments in Germany, Great Britain, and the US, to establishing the Western World’s standard musical tuning of A=440Hz frequency.
The fact that A=440Hz standard tuning is relatively distressing, as adequately evidenced below and elsewhere,(7, 20-22) implicates these parties and their research into aversive musical frequencies for military and commercial uses.
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